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・ The Chambers Brothers
・ The Chameleon (film)
・ The Chameleon (The Outer Limits)
・ The Chameleon Club
・ The Centre (Saskatoon)
・ The Centre at Forestville
・ The Centre at Golden Ring
・ The Centre at Salisbury
・ The Centre for Applied Genomics
・ The Centre for Computing History
・ The Centre for Corporate Public Affairs
・ The Centre for Cross Border Studies
・ The Centre for Polish Studies
・ The Centre for Secure Information Technologies (CSIT)
・ The Centre for the Study of Muslim-Jewish Relations
The Centre of Attention
・ The Centre of the Heart
・ The Centre on Barton
・ The Centre, Bristol
・ The Centrepoint
・ The CentreView
・ The Centreville Times
・ The Centrifuge Brain Project
・ The Centrium
・ The Centurion
・ The Centurion (film)
・ The Centurions
・ The Centurions (band)
・ The Centurions (Hunter novel)
・ The Centurions (Lartéguy novel)


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The Centre of Attention : ウィキペディア英語版
The Centre of Attention

The Centre of Attention is a London-based contemporary art organisation set up in 1999. Projects are shown internationally and constitute an ongoing enquiry into the phenomenon of art production, presentation and consumption.
The Centre’s participatory or Gonzo curating approach include controversial exhibitions such as "Viva la republique" set during the Golden Jubilee with Banksy, Jamie Reid and Genesis P-Orridge; "The curators" which entirely eliminated the artists from the exhibition by putting the curators on display, as well as in-depth solo projects with artists such as a Fluxus concert with Ken Friedman or a kinetic art retrospective of Nicolas Schöffer.
The Centre of Attention was selected for the 51st Venice Biennale by curator Rosa Martinez and presented Swansong/Schwanengesang an installation with works from Benedict Carpenter, House of O'Dwyer, Damien Roach and Wolfgang Tillmans. In this piece, also presented in MousonTurm Frankfurt and Mercer Union in Toronto, the audience is given an opportunity to rehearse its own funeral: participants select a song; then lay on a plinth, performing death, while the song is webstreamed, formally, reversing the viewer/art-object dynamic.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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